We appreciate you showing an interest in our project.

RUBBER BULLETS is a 20 minute short bank heist film with a BIG twist written & directed by Michael Joiner (based on an idea by Jermi Little)

We will be filming for four days late October 2021.
Our goal is to submit the film to film festivals and use as a vehicle to make a feature.

BELOW are the specs needed for crew.

ONLY submit if you can COMMIT to a 4 day shoot for what we are offering. We will be working hard to make this intense BANK HEIST movie the best it can be, and we are looking for a TALENTED and COMMITTED team who understands the REWARDS of doing a film right.

THANK YOU!

 

CREW

all roles plus meals, copy, IMDB credit.

OFFER is for FOUR FULL DAYS

Director of Photography $800 4 day shoot

Seeking a DP who will be able to tell us exactly what kind of equipment you’ll need to achieve your desired look, and design the appropriate lighting plans.  They’ll also help figure out the best way to frame your scenes, position actors, and move the camera. Also be their own camera operator.

1st Assistant Director $400 4 day shoot

Hash out the shooting schedule, create and distribute call sheets, relay orders from the director, and keep everyone informed and on time.  

  

1st Assistant Camera $300 4 day shoot

They make sure that the camera is working properly, that the lenses are clean, and that all necessary equipment is ready to go. The most important aspect of the Camera Assistant’s job is pulling focus – meaning they work with your Camera Operator / DP to ensure that the subject of a shot remains in focus throughout a take.

Sound Recordist $400 4 day shoot

Ideally, this person should know how to operate microphones, ride gain, run a mixer, and be attuned to their environment – they’ll be able to hear things that you can’t, and will work to make sure that unwanted noise doesn’t end up on the track.

  

Gaffer $300 4 day shoot

The gaffer is responsible for executing your DPs lighting plan. This means choosing the appropriate lights, flags, filters, and corresponding lighting apparatus, then positioning them to achieve the look that you and your DP are shooting for. the gaffer will also be responsible for making sure that the lighting setups are properly (and safely) powered.

Grip $250 4 day shoot

Grips are the film crew’s muscle. They load in gear and assemble, maintain, and move the heavy equipment that makes filmmaking possible: dollies, tripods, C-stands, sandbags, cranes – you name it. It’s physically demanding work, but a good grip is more than just a strong back. They keep your shoot sturdy and safe, and rig equipment setups that will help you achieve the shots you need.

 

Hair & Makeup $200 4 day shoot

Hair & Makeup technician will have specialized cosmetics and knowledge of techniques designed specifically for achieving a certain look on-camera. MINIMAL SFX

 

Production Assistant $150 4 day shoot

A PAs job is to do the work that nobody else has the time (or desire) to do. They’re always on their feet, lending a hand when needed, or running errands. They’re a vital, if unsung fixture of any film crew. In the context of a small team, a PA can handle a variety of roles to make the shooting process more manageable: they can help with the load out, be a one-person locations department and clean up your shooting location after wrap, or take care of craft service.

Hair & Makeup $150 4 day shoot

Hair & Makeup technician will have specialized cosmetics and knowledge of techniques designed specifically for achieving a certain look on-camera. MINIMAL SFX

FILM EDITOR $900 (must show sample of your work)

INTERN JOBS

BOOM OPERATORS

PROD ASSISTANTS

LOCATION MANAGER

PROPS

To SUBMIT please email your contact info, city you live in, IMDB and a link to a sample of your work (if applicable) to;
rubberbulletsmovie@gmail.com

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rubber bullets

Mission

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Vision

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